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You've selected:
Diana Gordon
Sheetmusic to print
19 sheet music found
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1
Diana Gordon: Bad Habit - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Diana Gordon for Piano/Vocal/Guitar of EASY/MEDIUM skil…
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Instantly printable sheet music by Diana Gordon for Piano/Vocal/Guitar of EASY/MEDIUM skill level. / pop,rock
$7.97
7.44 €
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Piano, Vocal and Guitar
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Diana Gordon
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Virtualsheetmusic
Bad Habit
Drums
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1323004 By Steve Habit. By Brit…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1323004 By Steve Habit. By Britanny Foushee, Diana Gordon, and John Kirby. Arranged by COPYDRUM. Pop. Score. 2 pages. COPYDRUM #911277. Published by COPYDRUM (A0.1323004).
$5.00
4.67 €
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Drums
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Steve Habit
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Bad Habit
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COPYDRUM
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SheetMusicPlus
Bad Habit
Trumpet
Trumpet Solo - Level 2 - Digital Download SKU: A0.1231964 By Steve Habit. By Britan…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1231964 By Steve Habit. By Britanny Foushee, Diana Gordon, and John Kirby. Arranged by Easy Trumpet Vidz. 21st Century,Pop. Individual part. 1 pages. Easy Trumpet Vidz #827637. Published by Easy Trumpet Vidz (A0.1231964). An easy arrangement for trumpet of Bat Habit by Steve Lacy.
$4.99
4.66 €
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Trumpet
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Steve Habit
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Bad Habit
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Easy Trumpet Vidz
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SheetMusicPlus
Helmet
Trumpet
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1246773 By Steve Lacy. By …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1246773 By Steve Lacy. By Diana Gordon and Steve Lacy Moya. Arranged by Emily Gray. Hip-Hop,R & B. Individual part. 2 pages. Emily Gray #841404. Published by Emily Gray (A0.1246773). The melody of Steve Lacy's song Helmet is arranged here for B-flat trumpet. Chord symbols have been included (in the same key as the trumpet.)
$4.99
4.66 €
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Trumpet
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Steve Lacy
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Helmet
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Emily Gray
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SheetMusicPlus
Bad Habit
Guitar - Level 3 - Digital Download SKU: A0.1317627 By Steve Habit. By Britanny Fou…
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Guitar - Level 3 - Digital Download SKU: A0.1317627 By Steve Habit. By Britanny Foushee, Diana Gordon, and John Kirby. Arranged by Maxwell Morrison. 21st Century,Contemporary,Hip-Hop,Pop,R & B. 21 pages. MAXWELL MORRISON #906300. Published by MAXWELL MORRISON (A0.1317627). An arrangement of 'Bad Habit' by Steve Lacy for Guitar ensemble (three guitars and one bass). This arrangement adapts the original piece faithfully, though it omits the second verse for brevity. Some fingerings and chord voicings are rather challenging, and offer a highly tactile experience made for intermediate players.
$9.99
9.32 €
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Steve Habit
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Bad Habit
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MAXWELL MORRISON
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SheetMusicPlus
Bad Habit
Piano, Vocal and Guitar
Piano/Vocal/Guitar - Digital Download SKU: AX.00-PS-0016722 Composed by Brittany Fo…
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Piano/Vocal/Guitar - Digital Download SKU: AX.00-PS-0016722 Composed by Brittany Foushee, Diana Gordon, John Kirby, and Matthew Castellanos. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0016722. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0016722). Steve Lacy.
$3.99
3.72 €
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Piano, Vocal and Guitar
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Brittany Foushee, Diana Gordon, John Kirby, and Matthew Castellanos
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Bad Habit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bad Habit
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1228135 By Steve Habit. By Britanny…
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Easy Piano - Level 2 - Digital Download SKU: A0.1228135 By Steve Habit. By Britanny Foushee, Diana Gordon, and John Kirby. Arranged by Tsuyoshi Yoroiguma. New Age,Pop. Score. 4 pages. Tsuyoshi Yoroiguma #824254. Published by Tsuyoshi Yoroiguma (A0.1228135). < Short EZ Piano #607> Bad Habit (Steve Habit, Steve Lacy)Let's play your favorite pop, rock, jazz etc. by piano (or keyboard).Short EZ Piano is an easy piano sheet music series that arranged by Tsuyoshi Yoroiguma.The PDF file includes 4 pages of sheet music.Playing time :2min35sec.Please visit arranger's blog to listen full sound sample http://yoroiguma.seesaa.net/page of 2023-5-8.
$8.50
7.93 €
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Easy Piano
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Steve Habit
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Short EZ Piano #607>
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Bad Habit
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Electricity - Score Only
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1304641 By Dua Lipa & Silk…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1304641 By Dua Lipa & Silk City. By Clement Picard, Diana Gordon, Dua Lipa, Jacob Olofsson, Mark Ronson, Maxime Picard, Philip Meckseper, Rami Dawod, Romy Croft, and Thomas Pentz. Arranged by Josh Ball. 21st Century,Disco,Pop. 1 pages. The BeatCave #894081. Published by The BeatCave (A0.1304641). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
4.66 €
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Percussion Ensemble
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Dua Lipa & Silk City
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Electricity - Score Only
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The BeatCave
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SheetMusicPlus
Bad Habit
String Trio: violin, viola, cello
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1265598 By Steve Lacy. …
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Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1265598 By Steve Lacy. By Britanny Foushee, Diana Gordon, and John Kirby. Arranged by Danielle Tavolacci. This edition: Interactive Download. Hip-Hop,Pop. 19 pages. Duration 185. Danielle Tavolacci #4PZXBp6rFmiLkKYGGrQ59j. Published by Danielle Tavolacci (A0.1265598). Key: Ab major.Arranged for String Quartet.
$14.99
13.99 €
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String Trio: violin, viola, cello
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Steve Lacy
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Bad Habit
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Danielle Tavolacci
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SheetMusicPlus
Bad Habit
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1265204 By Steve Lacy. By Britanny Foushee, Diana Gordon, and John Kirby. Arranged by Danielle Tavolacci. Hip-Hop,Pop,R & B. 19 pages. Danielle Tavolacci #858049. Published by Danielle Tavolacci (A0.1265204). Bad Habit by Steve LacyFor String Quartet.
$12.99
12.12 €
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String Quartet: 2 violins, viola, cello
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Steve Lacy
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Bad Habit
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Danielle Tavolacci
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SheetMusicPlus
Staines Morris
Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - Digital Download SKU: A0.1…
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Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - Digital Download SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 4 pages. Gordon Jackson #6436745. Published by Gordon Jackson (A0.1017678). Staines MorrisThe song, Staines Morris, is very well known by singers of traditional songs. It’s a 17th century song. It’s a 19th century song. Actually, it’s both! The lyrics were certainly published, and probably written, by Robert Cox for his play Actaeon and Diana, published in 1656. The tune was first published in John Playford’s The English Dancing Master in 1651. There is no evidence that, in the 17th century, the lyrics were sung to this melody. That didn’t happen for two hundred years, when William Chappell put the two together for his Popular Music of the Olden Time, vol. 1 (1859). I have added chords to the melody. Whilst humming the tune to myself, I found myself moving into 6/8 time, and that inspired me to compose a galliard based on it, complete with ‘divisions’ (runs of semiquavers or 32nd notes) and counterpoint. The song melody and the galliard can be played separately or as parts of one piece, perhaps with the galliard played between two of the verses. I put the galliard in A minor, to provide a contrast with the D minor song melody, but play them in whatever key takes your fancy. I have also added below the lyrics, as most often sung today.Come ye young men, come alongWith your music, dance and songBring your lasses in your handsFor ’tis that which love commands Then to the Maypole haste away For ’tis now our holidayIt is the choice time of the yearFor the violets now appearNow the rose receives its birthAnd the pretty primrose decks the earthAnd when you well reckoned haveWhat kisses you your sweetheart gaveTake them all again, and moreIt will never make them poorWhen you thus have spent your timeAnd the day be past its primeTo your beds repair at nightAnd dream there of your day’s delight
$4.99
4.66 €
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Anonymous
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Staines Morris
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Gordon Jackson
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SheetMusicPlus
Trumpet Voluntary or Prince of Denmark March for Brass Trio
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.810986 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.810986 Composed by Jeremiah Clarke. Arranged by Dunn, Bruce. Baroque,Classical,Renaissance. Score and parts. 7 pages. Gordon Cherry #4603899. Published by Gordon Cherry (A0.810986). Jeremiah Clarke's Trumpet Voluntary or Prince of Denmark’s March sparkles all the way from beginning to end. Mr. Dunn has done a great job with this arrangement for Brass Trio of Trumpet, Horn and Trombone. The work was incorrectly attributed to Purcell for many years. This music is very popular as a wedding processional (performed at the wedding of Prince Charles and Diana) and was broadcast by the BBC extensively during WW II during the occupation of Denmark. The work is under three minutes in length. Parts are supplied for C and D trumpet, Horn and Trombone/Euphonium. Easily within range of intermediate/advanced performers.
$12.50
11.67 €
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Brass Quartet: 2 trumpets, horn, trombone
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Jeremiah Clarke
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Trumpet Voluntary or Prince of Denmark March for Brass Trio
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Gordon Cherry
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SheetMusicPlus
Autumn In New York
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon…
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Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
$60.00
56 €
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Orchestra
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Bud Powell
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Autumn In New York
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Kevin Riley
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.67 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
The Western Heights
Small Ensemble Flute,Harpsichord,Mandolin,Piano,Violin - Digital Download SKU: A0.10176…
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Small Ensemble Flute,Harpsichord,Mandolin,Piano,Violin - Digital Download SKU: A0.1017681 Composed by Gordon Jackson. Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 6 pages. Gordon Jackson #6439147. Published by Gordon Jackson (A0.1017681). The Western HeightsThis is a little piece I composed without a specific form in mind. Although it’s in 3/4 it’s neither courante nor galliard, waltz nor minuet. It just is. Unusually for me, the chordal accompaniment is written for harpsichord (or any keyboard instrument), in order to get the full arpeggiation not possible on my octave mandola or bouzouki.The Western Heights, in Dover, used to be a really fun place to go; a barracks inter alia for a French invasion that never quite happened. Miles of tunnels built into a mountainside with rotten drawbridges, very steep stone staircases and plenty of rats. I used to climb inside and spend hours wandering around in the dark stumbling over debris, squeezing through narrow gaps, climbing walls. It’s been taken over now by various doers of good and made ‘safe’. I think you have to pay to get in. Back in the day one could be Indiana Jones for a while and have a truly great time.
$4.99
4.66 €
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Gordon Jackson
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The Western Heights
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Gordon Jackson
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SheetMusicPlus
Stephansdom for Solo Bass Trombone & Trombone Choir
Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed b…
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Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
25.67 €
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trombone & Trombone Choir
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Gordon Cherry
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
23.33 €
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Trombone
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Tom Ervin
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
Electricity (Acoustic Version) - Dua Lipa
Piano, Vocal and Guitar
Piano/Vocal/Chords - Early Intermediate - Digital Download By Silk City & Dua Lip…
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Piano/Vocal/Chords - Early Intermediate - Digital Download By Silk City & Dua Lipa, Silk City Feat. Dua Lipa. Arranged by Andrei Tudor. 9 pages. Published by Andrei Tudor
The acoustic version of the song performed by Dua Lipa - Electricity
Silk City Feat. Dua Lipa
Words and Music by Dua Lipa, Clement Picard, Maxime Picard, Diana Gordon,
Jacob Olofsson, Mark Ronson, Philip Meckseper, Rawi Dawod, Romy Croft, Thomas Pentz
duration: 4:14
$10.00
9.33 €
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Piano, Vocal and Guitar
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Silk City & Dua Lipa, Silk City Feat
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Dua Lipa, Silk City Feat
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Electricity
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Andrei Tudor
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SheetMusicPlus
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